Either, just to be safe.

IIRC that’s correct. Their paperwork is only strictly defining a man and woman, not just “two persons” or something like that.

There’s a reason different genres exist. For some, not having a challenge or competition is inherently unfun, others might not have fun in single player games. Generally speaking a game that doesn’t challenge you at all though, isn’t fun for many. Not that they cannot be fun at all, Animal Crossing is one of the larger games around, but it certainly cannot fill the “game” void for everyone.

Um dawg I couldn’t even get into a game with a friend when we tried the other day because of the ‘OnCreateSessionComplete Delegate bWasSuccessful == False’ errors. I’m sure it’ll be fixed in time.

Very true, I had heard that one popping up but for the live streams I saw it seemed to go away with time or at random.

Fair enough to temper expectations, it is after all an early access title. They still seem to be handling things better than the ARK devs is all I was getting at. I literally have not been able to play it once, since purchase, outside of joining random public servers and having a uh… “Rust” ^(cough turboracism cough) type of experience if that makes sense.

You’d have a point, if the comparison wasn’t between a decade plus old game and one that released in the last week, as early access. ARK is genuinely one of the single worst experiences to try and get into, and has multi year long bugs that haven’t been touched.

I haven’t bought Palworld, but you can actually launch the game, and join your friends in a few minutes tops. I have attempted to play with friends on ARK. Repeatedly. I have yet to actually do so, even after self hosting my own server on a couple occasions. IMO, this makes ARK as a title and game to play, completely worthless.

Genshin and league of legends are both free, how do you think people (collectively) spend millions on them year over year?

I feel like that argument could be made for some things, but inherently cannot apply to companies involved in personal, genetic, or financial information.

I would give a shout out to two makers, Frank Howarth and This Old Tony both do some amazing works in general. Tony does a good amount of metal work, while Frank is almost all about woodworking.

For some AI (sorta) stuff: Primer engaging way to learn about statistics I guess, I don’t know the right way to describe them but I always leave with something new.

For car stuff: Rob Dahm who is known for a wild RX7. Also publishes a lot of public data for the rotary community.

Junkyard Digs who does lots of classic car “restorations” or repairs. Generally tries to do the most accessible methods or tools.

Tofu Auto Works does mostly custom body kits and so on, shown in step by step processes with tips and reasons/preferences for doing things a certain way.

For gaming I’ll just throw City Planner Plays out there. He mainly plays Cities Skylines, and talks about how and why certain infrastructure is designed or used.

Editting to add: sorta (mostly) does gaming, also does other topics as well. Arch fantastic visuals and historical breakdowns of topics. Doesn’t have many videos, but they are quite good.

And purely because I’ve met him IRL and think his channel is very under viewed, About Here discusses city planning, accessibility and so on. A lot of it has to do with housing and it’s current issues, but has other city/civic related topics as well.

It definitely varies on locale for sure. Where I live (BC) it isn’t much more to do, but still isn’t for everyone. Just to tack on to that as well, good transit options for the first leg of the trip is a massive help.

Uhhhh, dunno about that one. Pretty sure it’s public knowledge labels will go to almost any lengths to ensure artists cannot be independent, especially when they’re small. Good recording quality is quite readily available in many large cities, either as a paid service (which sometimes is still outbid by labels), or through a public library. Many of the issues of “labels investing in artists” loop back around to “labels have made it physically impractical or impossible for the artist to invest in themselves”.

Wait till they find out it’s also damn near just as easy to go camping with a bicycle. Not the solution for every one or every climate, but it’s certainly viable for many.

I think that’s why Jackett is recommended to use with Sonarr/Radarr now. I just got my unraid server (mostly) running and that was one of the recommendations I saw made frequently.

I can promise the number of people backing up their Xbox/SNES/Sony/whatever games at the time/era of release, are a rounding error number of people who purchased at all. And even if that was the case, how are you gonna do that for the discs that have DRM? Obviously it can be cracked, but how does that help you in that specific time of need (referencing the house fire), when the tech to crack that DRM didn’t even exist?

Nobody is arguing with “physical copies have better security” (digital storefronts closing, keys being revoked, etc), they’re only arguing with you for pretending everyone is seemingly clairvoyant, with pools of money and compute hardware, to make backups of these things. There is no way you can possibly think that all one needed to do was “copy da files dumbass” when even the hardware to do that, didn’t exist (for the public or at all), or was itself prohibitevly expensive.

I know Epic gets a lot of hate, but this is definitely a possible worst case outcome. Hopefully anything but this happens instead.

Unfortunately, nope.