I might be driving through D.C./Baltimore around Friday or Saturday. I could also bypass the region entirely with an alternate route through the Shenandoah Valley that is longer but has less traffic issues. Would that be your recommendation?
I might be driving through D.C./Baltimore around Friday or Saturday. I could also bypass the region entirely with an alternate route through the Shenandoah Valley that is longer but has less traffic issues. Would that be your recommendation?
I think that’s why the warranty was three years instead of one; this seems to be a Costco-specific model. Mine broke at three years and three months, and the customer support rep said they could try to extend the warranty coverage to the repair. But I was heading out of town and still haven’t sent it in, so I’m not sure if that will still hold. Kind of thinking of getting another (better) for my bathroom, seeing what happens with the repair, and if it comes back repaired for a low cost putting it in the guest bathroom.
When I was six or eight my parents were looking at houses and one had a bidet in the master suite bathroom, the kind that sprays up from the bottom of the bowl. I legitimately thought it was a water fountain for drinking and excitedly pointed it out to my parents. They did not buy that house.
I wanting to hijack this thread and ask people what model seats you use? I bought a BioBidet Uspa from Costco on sale for $200. It has all the features of the well-regarded Toto Washlets but I found the spray was not very “focused” so cleaning wasn’t as effective with it as others I’ve randomly been able to try. This meant it usually took quite a few passes with both spray and TP to get clean (still, less TP than if that was all I used). I think the big cost difference between the Uspa and the Toto is they used much cheaper components than Toto. Three years on it’s broken just outside of the warranty period. The manufacturer has offered to consider applying the warranty but would probably still involve some costs. I’m thinking this might be the time to just upgrade to a better model.
Toto seems like the historic go-to choice and I’m assuming they should still be good quality. With my IBS it might be worth spending the money. But I’d like to know real-world recommendations on what people use, and I suppose how recent their model is.
I saw one like this at a hotel in Austria once and was trying to figure out how to use it. I couldn’t figure out how the water stream was supposed to spray and clean coming out the side like that. Do you almost lay on it, face down or on your back to get it to spray your bum clean?
It never occurred to me that the spray wouldn’t be used to clean at all.
I remember a really smart, very nerdy family friend telling us about Linux around 1997/98 and this was the experience he described. It sounded interesting but also like a crazy amount of work.
As someone who has done no programming since taking C++ in high school more than 20 years ago, what do you mean by safer language?
As long as they didn’t bring any whistles with them they’ll be fine!
I saw they were also used by companies like DoorDash, Uber, and UpWork to verify remote contractors.
There are more upvotes on this post than subscribers to the new community. I think we’ll need to see some posts first!
I look forward to the lawsuits that will ultimately cost this man his job.
Your Little Caesars restaurants have tables?!
~15-20% is nothing to sneeze at, but hardly dominance
Chevy Bolt EV/EUV
If it’s on physical disc in one region but not where you live, it might be possible to purchase that disc and ship it to your home. While it might be region-blocked on the disc, there are ways to bypass that with certain disc players or converting them on your computer. The legality of bypassing region-blocking may vary depending on your jurisdiction, but from a technical standpoint it’s certainly possible. It’s probably less legal liability than going straight to piracy (especially compared to the liability from torrenting where they try to claim someone’s engaged in illegal distribution).
(This is more for OP and other readers than the author of the comment I’m replying to)
A classic example being WKRP in Cincinnati which was a relatively low budget sitcom when it was produced. It was shot on videotape instead of film and took advantage of a special licensing rate for music when added to videotaped programs, which let them include a lot more contemporary rock music that would’ve aired on a rock station in the late ’70s. However, the licenses had a limited time allowance so while the show was originally in syndication with that music, by the ’90s it was replaced with similar sounding stock music. Early releases of the show for home media also didn’t have the original songs. Shout Factory put together a box set of the show and went back to the music owners to try to form new licensing deals, but even they couldn’t clear every song.
Music isn’t the only factor; similar issues pop up with all sorts of rights issues and royalties. When shows were made in the ’50s no one really had the idea of reruns and syndication. Before the ’80s there was no real idea of home viewing, and even then in the days of VHS tapes the idea of putting an entire show on tape for home use was pretty out there. Only fitting 1-4 episodes on a tape meant a season alone might take up a whole bookshelf, never mind a full series. It really wasn’t until the 2000s that there was a normal expectation that a show for broadcast would also go into syndication and be sold/rented to home viewers. So a lot of contracts with actors, writers, directors, etc. didn’t cover how royalties would be paid on these newer releases. Sometimes those rights have been sold in the interim as well, so it requires a legal team researching what rights need to be secured and who currently owns them to make sure all the payments are planned. Get it wrong and a rights-holder can sue and might end up taking away all your profit, even making the venture lose money. If you’re going to release an old show, you need to be confident that there’s enough of an audience willing to pay that you can cover all those costs and still make a profit, not to mention the costs of preparing the program to a format suitable for sale/streaming.
Of course, once those copyrights expire, some of those cost concerns go away. We’re only just starting to reach that point with films (anybody want to watch Steamboat Willie?), so in another 30 years or so we’ll probably start seeing more old TV shows. If they’ve survived, of course.
It was so similar I always assumed they still had to pay for rights to the original song
They’re not the only ones making that media, right? Or do they make the media for everyone and put other names like Memorex on the label?